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Writing: The Art of Learning When to Breathe
I like sentences. I like words. I have always liked stringing words into sentences, and then shuffling them around to see how the meaning changes. There is a spiritual component to writing. Stringing enough words together to create a novel that someone will want to buy is an act of faith. The English word “spirit” comes…
Read MoreWaiting in Vermont
Writers do a lot of this. We wait for inspiration for stories and for characters’ names. We wait for the perfect word, for word from the readers of our early drafts, from agents, editors, publicists, and events coordinators. We wait for cover art, galleys, and books, for reviews and profiles, for invitations from book clubs…
Read MoreThat Second Manuscript
My first novel was published in June of 2011. I tell people it took between two and fifty years to write. The manuscript itself took two years, but I had been gestating the story for most of my life, as I listened to stories my mother told of growing up in a large family on…
Read MoreA Day at the Beach
“She has cataracts, you know.” This from my vet after peering into my fourteen-year-old dog’s eyes. I knew her eyes had become cloudy recently, but no one had diagnosed cataracts. She’s also deaf, arthritic, and has numerous cancerous lumps that I keep having removed and that keep growing back. Last week Maggie and I made…
Read MoreSisters and Writing What You Know
(I wrote this for a guest spot on Teresasreadingcorner blog.) Readers often assume that novels are, at least in part, autobiographical, perhaps because writing instructors through the ages have compelled writers to “write what they know,” i.e., their own lives. I once wrote a short story about a hairdresser. My professor asked me if I’d…
Read MoreAttachments
I’ve spent this summer marketing my new novel, Her Sister’s Shadow, doing readings and signings at various venues around New England. (Actually, the driving to the various venues has consumed much more of my summer than the readings themselves.) For years I’ve listened eagerly to my favorite authors read and discuss their work in independent…
Read MoreChoosing the Shore
Given a choice on where to travel (or where to set my novels) I will always pick the shore. I’m not particular about which shore, but Maine’s close by, and so I get there at least once every summer. I love the way firs grow right out of the rock, down close to the water’s…
Read MorePlaces and People
I’m fascinated by the effect that places have on people. Landscape, culture, traditions… are all equally important to fictional characters. This place/character relationship is one of the things I enjoy most about reading southern novels, (maybe because I’m from New England). To Kill a Mockingbird gets top honors, but I also love the novels of…
Read MoreThe Unexpected Story
Stories come to writers in unexpected ways. We spend a lot of time observing our surroundings, jotting down snippets of conversations, and noting unusual people and situations, and then we write a scene taken partially from these observations and dredged partially from our imaginations. We don’t know what we’ve written until we read the scene.…
Read MoreDisposable Straws and Such
I read an article in the Boston Globe on Sunday about disposable straws. I have three glass straws, remnants of my childhood. Impractical but so lovely; each one has a different shell worked into the bottom, which made them the perfect tool for stirring Bosco into milk. When I was sick, my mother would bring…
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